As any entrepreneur will confirm, the best ideas tend not to come whilst starting at a blank sheet of paper entitled “Masterplan". Nietzsche’s most profound inspirations were awakened by long walks in the mountains, Archimedes had his big revelation whilst taking a bath, and Woody
“The Twilight of the Gods”, a spectacular musical drama in 3 acts and a prologue opened last night at Barcelona’s majestic Gran Teatre del Liceu to a full house. This operatic masterpiece was written by Wagner and premièred in Germany in 1876. The opulence of
Pablo Molinero and David Climent’s “bastard theatre” has been eating boundaries for breakfast since the innovative performance artists pair first started working together 13 years ago. Physical theatre, experimental techniques and representations all are explored through outlandish narrative, choreographed movement and original music, and their
A spotlight casts most of the stage into darkness. Two chairs are arranged around a rustic wooden table, a full crate of beer on the floor. Inspired by Václav Havel’s play,”Audience”, its scenes unfold in a Czech brewery in1975. Simple and abstract, humorous and compelling,
Hell Collective have been collecting firewood, gathering volatile material and shining their devilish horns for several months. Tomorrow the doors to their inferno open, at 7pm at Mutuo Cultural Centre with an inauguration exhibition/event entitled “Purgatory”. Their manifesto? To escape from the aesthetics of the superficial.
Bronces Mestre was founded in 1952 and has signified luxury for more than half a century. They bring a boutique designer attitude to the world of bathroom fittings and ironwork, offering opulent products and personalised attention to a select clientele who are prepared to pay
Colour, texture and powerful imagery illuminate this new collection of work by Barcelona based artist Aby Mackie. The final pieces came together quickly, she explained at last night’s inauguration, but the work itself has been developing steadily over many years. Indeed, the seeds that are
Art, according to iconic street artist Banksy, should “comfort the disturbed and disturb the comfortable.” Nowhere is this more evident than in the streets of major international cities where an artist’s canvas is the urban landscape, and their message is meant to be seen. Civic
Performance artist Sylvia Rimat was born in Germany and lives in Bristol UK. Interactive and playful, her shows are internationally performed in theatres, galleries and public spaces. She uses dance, movement and multimedia technology to explore themes such as memories and consciousness, inspired by research
Sala Hiroshima exploded onto Barcelona’s cultural scene last year, each inauguration a declaration of the direction, intention and values upon whose foundations this exciting new performance venue in Barcelona’s Parallel neighbourhood was established. This second season looks set to consolidate and surpass its strong initial